Hurrah for the bonnets of blue : fantasia, Scotch air

SAM MILLlGAN

N°4

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A SELECTION OP

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CHERRY RIPE
HAD 1 A HEART

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VAR/ATIONS T.MOORE 3.0

VAR/ATIONS C.E.HORN 3. 0

VAR/AT/ONS IRISH AIR 4.0

HURRAH FORTHE BONNETS OF BLUE FANTAS/A SCOTCH AIR 3.0
POPULAR MELODI ES VARIED 3.0

by

T. RCH1FP.

EDWIN ASHDOWN
(Limited)

NEW YORK. LONDON. TORONTO.

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EDW;N ASHDOWN, LIMITED.

A CATALOGUE

OF

No.

I.

HARP SOLOS

N.B. — The let ten be/ore the names denote the degree of difficulty, a, stands for difficult; b, moderately difficult; c, easy ; dt zery easy.

ALVARS, PARISH. ,. d.

ct f untasiA, dedicated to Thai berg 5 o

I Introduction and variations on a favourite Air of Bellini 4 o

r" March-; favoi ite du Sultan 2 6

c Twt'.vt f*voL---.c airs 3 o

APTOMIIAS.
b Welsh melodies :

t. 1 of t)ie win 2 6

2. Of noble race was Shenkin 2 6

3. Ap Shenkin 2 6

4. Poor Mary Aunt 2 6

5. Love's fascination 2 6

6. Swe*si Richard 2 6

k Aptommas's polka ^ o

BELLOTTA, E.

b Gaiopbiill.ini 2 6

4 II trovatore. Fantaisie sui l'opera de Verdi 3 6

BOCHSA, N. C.

* Lk Menhstrel Itaukn. Di.\ Morceaux, courts etbrillants:

1. f)i Pe scat ore and A ma tun madre (Lucrezia) 2 6

2. 0 divina Vgnese (Beatrice di TendaJ 2 6

3. Com" e bfllo (Lucrezi 1 Borgia) 2 6

4. Meco & Voga voga I una ( 1.;. Straniera) 2 6

5. March & P. is redouble ( Saflo) 2 6

6. Viga, voga, & Sogno talor ( ParUina) 2 6

7. Vieni ah ! vieni (Cavatine-Mazurka de Pacini) 2 6

8. All ! tu sci (Parisina) 2 6

9. Quanto e bcllo (L'elisire d'amore) 2 6

10 lo I'udia (Torquato Tasso) 2 6

h Recreations pour les Harpist es de toutes le* forces :

1. My own blue bell 2 6

2. I he bridal ring 2 6

3. '1'he Prince of Wales* march 2 6

4. March in the old Irish style 2 6

5. Souvenir a I Ecos^aise 2 6

6. The wild white rose 2 6

7. Rondoa la villageoise 2 6

S. I/invitation a la polka 2 6

9. Le moulinet 2 6

10. Welch polka 2 6

0 RsLIQUBS Irlandaises. Favourite Iri-h airs in 3 books :

1. Planxty Kelly and The old woman 2 6

2. Nancy Dawson a-d Savourneen Deelish 1 6

3. Sly Patrick and The Moreen 2 6

c Les plaisirs de la mdmoire. Select melodies from the works of
the most popular composers, intended to be performed from

memory. In 4 books each 4 o

* Preparation a l'etUDE. 200 short miscellaneous and

independent passages, calculated to give steadiness and
freedom to the hands, flexibility and strength to the fingers,
and a thorough knowledge of every species of fingering.

In 4 books each 3 o

/ Eighteen ENTIRELY new studies, calculated to give
strength and independence to the fingers, freedoTn to both
hands and steadiness to the wrists. 2 books each

^ Elegant extracts, forming the second class of the Appendix
to the general course of instructions

b Tasteful exercises on a favourite melody by Bishop, being
the first class of the Appendix to the general course of
instructions

4 The puiml's COMPANION. Forty progressive studies. 4 books

each
i Twelve PROGRESSIVE preludes, calculated to promote the

facility of modulation through the most useful keys 5 o

t A te diro (Roberto Devereux). Transcription 3 o

b A temple to friendship (T. Moore). Variations 3 o

b Cease your funning. Fantasia and variations 4 o

c Cease your funning. (Variations as sung by Mrs. Salmon) . . 26

c Grand military march 2 o

c Grand parade march 2 6

d L'encouragement. Simple melodies arranged in a most easy

style 2 e

b Partant pour la Syrie. Fantaisie martiale 4 o

c Petit souvenir (Tyrolienne de Guillaume Tell) 2 6

c Tartar di' ertimento (introducing the Tartar drum) 2 6

C The cele jrated Rossignol waltz 1 6

c 'I 'he lasv new French march 2 6

a Weber's last waltz. Grand and brilliant variations 5 o

CHATTERTON, FREDERICK.

b Amor! possente nome. Petite fantaisie 3 o

h L'horloge des Tuileries. Petit amusement 3 o

a Le carnaval de Venise. Morceau fantastique 5 o

4 1'he dawn of spring. Faster piece 3 o

CHATTERTON, J. BALSIR.

Useful daily practice, scales, exercises, and preludes in various
styles, lor pupils in all degrees of advancement

b A SELECTION OK HIS FAVOURITE COMPOSITIONS:

i. Annie Laurie. Scotch melody. Transcribed -

2. Auld Robin Gray. Scotch melody. Transcribed

3. Bardic relics, No. 1. Sweet Richard

4. Bardic relics, No. 2. Nos galan

5. Bardic relics, No. 3. Llandovery and Sen h hudoL.

6. Bardic relics, No. 4. Of noble race was Shenkin

7. Beauties of Irish melody. Savourneen deelish and

Kate Kearney

l! march

^ft Chant des Creates (J. Blumenthal)

10. I -Mil Pasquale. Fantasia

11. Gems of Irish melody, No 1

12. Gems of Irish melody, No. 2

13. God save the Queen. Variations

14. Gondolier row. Variations

15. Grand American march

16. 1 1 trovatore (The prison scene)

17. Kathleen Mavourneen and Dermot astore

18. L'elisire d'amore. Fantasia

19. La gitana. The new rachucha

20. Les noces. Fantasia, introducing Danish air

21 Relics of Wales (Three WeUh airs;

12. Rousseau's dream. Capriccio

23. The bloom is on the rye (Bishop)

14. The light of other days (Balfe)

fr. The old house at home (Lodei)

r6. Victoria march (introducing " The brave old oak ") . .

7 6

xo o

S o

4 o

CHIPP, T. P. s. d.

b I love but thee (T. Moore). Introduction and variations .... 3 o

DUSSEK, 0. B.

d The Harpist's friend. A series of popular melodies :

1. Merch Megan 1 o

2. The rising of the lark 1 o

March of the men of Harlech 1 o

Li I la's a lady 1 o

Savournetn deelish 1 o

La ro»a waltz 1 o

3-

4
5-

0

GODEFROID, FELIX.

Lucrezia Borgia. Fantasia on Donizetti's opera 4

Norma. Fantasia on Bellini's opera 4

HOLST, GUSTAVUS V0!7

'Etrennes aux dames." Select airs, &c. :

1. True love, German air Keller 2

2. Le vaillant troubadour 2

The farewell of Kaoul de Coucy Dlangini 2

Le depart du jeune Grec 2

Adolphine. German air 2

German Waltzes 2

Ye banks and braes o" bonny Doon 2

What beauties does Flora disclose. Scotch air and a

Quick march 2

Stanco di pascolar. Venetian air 2

Di piacer (La gazza ladra) 2

3-
4-
5-
6.
7-
S.

HUNT, W. R.
c The blue bells of Scotland. Introduction and variations.

LABARRE, THEODORE.

b Non piu mesta. Fantasia on Rossini's air

b The last rose of summer Variations

b There is no home like my own. Variations

b Op. 25. Addio, mia vita, addio ! Barcarolle

a Op. 26. Souvenirde Londres. Fantaisie et variations brillantes

sur i.n theme original

b Op. 27. Reminiscences des Mousquetaires. Fantasia on

Halevy's opera

b Op. 28. Bijou de Nabuco. Grande fantaisie sur 1* opera de

Verdi

b Op. 29. La melancolie de F. Prume. Transcription

b Op. 38. Una lagrima sulla tomba di Parish Alvars. Elegle..
b Op. 51. La belle Emmelme. Impromptu

b Op. 57. Trois etudes caractlkistiques :

1. La cascade

2. La coquette

3. La consolation

b Op. 61. " Gbms of German song." Twelve recreations :

1. Adelaide Beethoven

2. The first violet Mendelssohn

3. Zuleika Mendelssohn

4. Cooling zephyrs.... Schubert

5. The huntsman, soldier, and sailor Spohr

6. A ride 1 once was taking (Trab, trab) Kucken

7. My harp now lies broken (Maid of Judah) Kucken

8. My heart's on the Kh:ne Speyer

y. From the Alp the horn rebounding Proch

to. With sword at rest (The standard bearer) Lindpaimner

ix. When the swallows flv towards borne (Agathe) Aht

12. Oh ! wert thou mine fur ever Kucken

c Op. 89. " Hommage a Schubert." Trois melodies :

1. Ye fiow'rets that to me she gave

2. Praise of tears

3. Norman's Gesang

b Op. 94. " Rfcreations musicalis." 3 German melodies:

1. Streamlet cease Curschmann

2. Forth I roam Kalliwoda

3. If o'er the boundless sky Molique

b Op. 99. " VOYAGE en SUISSE." Trois morceaux originaux:

1. Bale

2. Zuric

3. St. Gallois

b Op. 102. Trois etudes de Charles Mayer et d'Adolphe Henselt
transcrites :
1 • Grace c. Mayer

2. La fontaine G. Mayer

3. Si oiseau j'etais A. Henselt

c Op. 106. Three characteristic melodies :

1. Wenn ich ein Voglein war ,

2. Lisple Laute, lisple linde

3. Virgo Maria (O Sanctissima)

c Op. no. " Pensees musicales.1
x. Repose

2. Sorrow and relief \\

3. Cradle song \\\

a Op. 115. Bonnie Scotland. Fantaisie brillante (Scotch airs)

b Op. 118. Les montagnes Bohcmiennes. Chant national d'apres
Leopold de Meyer

b Op. 121. Trois morceaux enractenstiques :

1. La gitana

v Melodic mazurque

3. La gazelle !!."!!',!

b Op. 127. Sacred melodies :

1. Martin Luther's hymn

2. Old hundredth psalm *.*.'.'.".*.'

3. Before Jehovah's awful throne " "

4. Airs from "The creation " (Haydn)

5. Vital spark of heavenly flame ."."...".*

6. Agnus Dei (Mozart) !'...'.'.!

Trois pieces de salon :

b Op.

Deux melodies de l'opera Les huguenots (Meyerbeer) :

Nobles seigneurs. Cavatine du page ,

A ce mot tout s'anime. Air de Marguerite

3 o

MEYER, F. C.

b Auld Robin Gray, Divertimento 3 o

b Melange (introducing "My lodging " and *( The rose-tree in

full bearing ' ) 4 o

OBERTHXJR, CHARLES.

3 o

OBERTHTJR, CHARLES— continued.

b Op. 129. "iEotiAN chords." Three melodies :

x. Gems of the crimson-coloured even .....

2. She was a creature strange as fair

3. 'Tis sweet when in the glowing west

Op. 132.
Op. 142.
Op. 144.
Op. 146.

Nereides. Sketch ,

L'invitazione del gondoliere. Sketch

II trovatore. Fantasia on Verdi's opera ..

I^a traviata. Souvenir de l'opera de Verdi

A «

3 ©

s 6

4 °
3 c

b Op. 149.

" Gkms of Verdi." Twelve operatic airs, tran-

>cribcd eai h

x. Ah ! che la morte Trovatore

2. II balen del suo sorriso Trovatore

3. Si la stanchezza Trovatore

4. Stride la vampa Trovatore

5. La mia letizia I Lombardi

6. La donna e mobile Kigoletto

7. Parigi, o cara Traviata

8. Ah, fors' e Iui 'I raviata

9. Di Provenza il mar Traviata

10. Libiamo (Brindisi) Traviata

: t. Ernani involami Ernani

12. \ a pensiero Nabuco

Op. 158. "SEASIDE rambles." Four musical sketches:

1. Sea nymphs

2. Murmuring waves

3. My bark glides through the silver wave

4. Water sprites

3 <

Op. 159. Andalusia. Bolero brillant

Op. 166. The keel row. Fantasia

Op. 167. Santa Lucia. Neapolitan air

Op. 1 70. Un ballo in maschera. Fantaisie

Songs without words :

1. Dans ces instants ou le cceur pen-e

2. Ich den kc jlein, wenn durch den Hain der NachtigalJeo

3. Eilende Wolken, Segler der Lu te

4. Emelina

5. Selige Tage

6. Nachgefuhl

7. Adieu, charmant pays de France

8. For I, methinks, till I grow old

9. L'air est doux, le ciel e^t beau

10. Ange aux yeux bleus

11. We rove among the roses

12. Au bord du Rhin

13. Au bord de la Lahn

14. Au bord de la Nahe

15. Au bord du Neckar

16. Auf leichtem Zweig

17. Ah! be not sad

18. Remind me not

a ©

a o

a o

1 o
1 a

r o

3 o

3 o

3 6

a *>

z 6

a c

a 6

a o

"Voyage lvrique." Twenty
x. Norway.

2. Sweden.

3. Denmark.

^4. Russia (God save the
Emperor).

5. Prussia.

6. Prussia.

7. Poland.

8. Saxony.

9. Bavaria.

id. Austria (Haydn's hym-»).

11. Hungary.

12. Sardinia.

four National Airs each

13. Romagna.

14. Naples.

15. Spain.

16. PortugaL

17. SwibftaLunA,

18. P'rance (La Marseillaise/.

19. France (Les Girondins).

20. Pelgium.

21. Holland.

22. England (Rule Britannia).

23. America (Hail Columbia).

24. England (God save the

[Qucea).

3 o

STEIL, W. H.
b My lodging is on the cold ground (variations)

STREATHER, WILLIAM.

b Deh vieni al^a finestra. Serenade from Don Juan
a Home, sweet home, ofThalberg, transcribed

TAYLOR, GERHARD.

• Com' e gentil f Don Pasquale). Transcription «

a Fantasia on Irish melodies (The harp that once, Believe me if

all. and Meeting of the waters) 3

a Two favourite Irish melodies (Coolin and The minstrel boy).

Variations 3

a Rigoletto. Fantasia on Verdi's opera 5

THOMAS, JOHN.

Welsh melodies. Transcribed :

1. The ash grove a

2. The beils of Aberdovey 3

3. Sweet melody, sweet Richard 3

4. The rising of ihe sun 3

5. The march oi the men of Harlech 3

6. Riding over 'he mountain (original melody by ) . Thorn**) 3

7. The plain of Rhuddlan 3

8. Love's fascination 3

9. The rising of the lark j

10. The camp (Of noble race was Shenkin) 3

11. Megan's daughter 3

12. The minstrel's adieu to his native land (original melody

by J. Thomas) 3

13. Watching the wheat 3

14. New year's eve 3

15. David oi" the white rock, or The dying bard to his harp 3

16. Over the stone

17. The miller's daughter

18. Come to battle ."

19. All through the night

20. The "blackbird

The dawn of day » B<

21.
22.
33-

24-

•• 3

» 3

» 3

• - 4

" 3

Britain's lament

Black Sir Harry

The departure of the king

La source. Caprice of J. Iilumenthal, transcribed .
1'he harmonious blacksmith, of Handel, transcribed.

WRIGHT, X. H

Caledonian Fantasia, introducing favourite Scotch melodies.. 4 o

Com' e gentii ( Don Pasquale). Fantasia 3 o

Deh calma oh ciel (Otello). Transcription ■ c

Fra poco a me ricovero (Lucia). Arranged ......*....*„„ a a

LONDON: EDWIN ASHDOWN, LIMITED. HANOVER SQUARE.'